Leap into Luxury: Super-Tuscan 2007 Messorio from Le Macchiole

Some Super-Tuscans scream luxury but the 2007 Messorio from Le Macchiole is a quiet wine that opens before you as you taste it, to give the feeling of falling forward into space: like a confident step from a plane into silent velvety dark below, the fruit billows outwards on the palate like a slow-glide on a silk parachute. Afterwards the tongue is literally left frozen in shock from hundreds of tiny pin-pricks of acidity, which may sound bad, but tasting at this very young stage (en primeur/anteprima), it is only the tingle of expectation for a profound experience in the long-term.

The 2007 is considered a "tropical vintage" in Tuscany, which may explain the richness in the fruit, but this Merlot from Bolgheri has all the hallmarks of developing well and is completely and smoothly in balance. I long to see this wine, or any Messorio for that matter, with 10-15 years of bottle age. Even at Anteprima stage, I have no hesitation in recommending taking a self-assured leap.

Tasted at Lea & Sandeman Italian En Primeur tasting 30 March, 2011.

More: Antonio Galloni review of 1994-2006 (not 2007 vintage) "A Study in Greatness" (Robert Parker subscribers)

Image: Yves Klein, "Obsession de la levitation (Le Saut dans le vide)" Obsession with Levitation (Leap into the Void), 1960

Also posted on www.vinissima.net

Languedoc Seduction: Domaine Peyre Rose Clos des Cistes 2002

While most Languedoc wines from the difficult vintage of 2002 had the taster asking, “How bad can you be?” This wine is like being in a secluded corner at a crowded party and whispering the same thing. Winemaker Marlene Soria has achieved a grand clandestine moment with 2002 Peyre Rose Clos des Cistes.

Perhaps the most intriguing thing about this wine is not the dramatic Mediterranean garrigue character, nor the resolutely non-berry style of the dark rose and golden figs, leather and slight bay-leaf menthol. It is the fleshiness given to this powerful, idiosyncratic voice from the South of France: a region where a lot of voices have yet to find out what they exactly want to say.

Compelled to find out more, I learned Soria stopped shipping to the US soon after gaining recognition in Wine Spectator as well as dumping the three previous vintages (1999, 2000, 2001) with the local wine co-operative due to taint from faulty enamel tanks. This, for a wine that easily commands over £60 a bottle.

I questioned whether I should write about the vinous equivalent of a one-night stand, one that you and I may never see again (it is found in the UK in seriously low quantities). Yet, weeks later, its mysterious voice and dramatic energy still lingers in the memory and shows just how great the Syrah blend from the Languedoc really can be.

Anglo-Saxon Wine Style: Sequencing & how to do it right

I may bang on until I am blue in the face about food matching, but the Anglo-Saxon way is not to think about wine as something to match with food. We can fight against it by suggesting foods, but let's be pragmatic. What is the best way to drink wine if you are not going to eat much more than a packet of crisps?

2006 Brunello di Montalcino Report from Benvenuto Brunello on TimAtkin.com

My report from Tuscany on the beautiful, but dramatic, 2006 Brunello di Montalcino vintage can be found on Tim Atkin's website: here.

image @winewomansong

Schloss Gobelsburg: philosophical investigations on the pleasures of Gruner Veltliner

“Then I brought up this question: When you say, Men do desire pleasure, what is this use of “pleasure?” Is it contrasted with pain? Pain is localized, for instance.

He went on with one of the nicest bits of analysis I heard… He started: Pain is a sensation. Pleasure is not. Why are the senses classified together? Obviously they are not a bit alike. Smells, odors, aren’t a bit like sounds. Then he gave this account. With respect to all these, you can time them precisely with a clock. “Now you see; now you don’t. Now you hear it; now you don’t.” By the clock you can tell. Now pleasure isn’t like this. The logic of the word pleasure is quite different. Clock the pleasure. When did the pleasure begin, when did the pleasure end, etc?”

“Wittgenstein conversations 1949 – 1951”, p 63, Oxford. Wittgenstein

Each Gruner Veltliner I have tended to taste is often so demanding, different or weird that I approach this Austrian grape as I would a hard soduku puzzle, slightly exhausted by the idea of the pleasure. It is a puzzle: in Austria, the spicy white is an everyday wine enjoyed in the same way as Chardonnay; but, here, Gruner Veltliner is still an exotic treat.

Schloss Gobelsburg is a benchmark in the Austrian style of Gruner Veltliner, so I joined the customers of Berry Bros & Rudd in their St James Street cellars ready to test my assumptions.

Like all outstanding winemakers, Michael Moosbrugger has done all the philosophical hard work for you; what is left in the glass is pure visceral pleasure. The Schloss Gobelsburg vineyards in the Danube had been owned by the monks since medieval times and the power of contemplation continues.

Each wine is like a philosophical answer to a question.

One of the questions he posed: How much can a winemaker really reduce manipulation of the wine? Can a winemaker really do nothing – does the terroir really speak for itself?

To test his question he went back to the Schloss Gobelsburg monastic wine library to look at how wine was made before 1850 and the industrial revolution. Before then, a winemaker had the same ideas for making wine that existed in Ancient Roman times. In Roman times, wine was based on the Platonic idea of breathing and oxygen. Wine was an organic thing, an embryo that needed to grow and breathe with periodic moments of oxygen to bring the wine to life. The winemaker was only a midwife. Today with modern technology and understanding, the philosophy in the cellar is more about protecting the aromas and reducing fragile components: which results in a wine that is cleaner, streamlined and fresher.

The answer to his theory: 2008 Gruner Veltliner, Tradition. This is wine made in the pre-industrial style. Compared to the other Gruner Veltliner wines we tasted, this wine was deeper gold in colour, richer and more savoury. It had an incredible depth but already seemed more developed than other Gruner Veltliner shown from the 2009 vintage.

For the people at the tasting, the 2009 Gruner Veltliner, Lamm was the favourite. From volcanic and sandstone soils it had a very refined palate, peppered with floral notes. Precise and completely in balance like an expensive watch. But it was the 2009 Gruner Veltliner, from the region of Grub, that really held my attention: like an abstract cologne of white pepper on the nose with fresh fruit on the finish. It had a distinctly modern, abstract, cool personality as if it belonged in the museum of modern art. I admit this will not be to everyone’s taste, but still, very thrilling.

Prepared for Wittgenstein’s Philosophical Investigations, I came away from the night with the impression of the shimmering gold of Klimt. Pepper. Yes there was strict pepper, but also a lush golden character. Ending with the incredible sweet wine, 2008 Gruner Veltliner Eiswein, tasting of caramelised pear with amazing aged Comte cheese characters, only confirmed my belief that great Austrian wine can be an intellectual as well as a pure sensual pleasure.

The tasting ended at 8.31pm, but the wines shined well into the dark, rainy night.

Food matched: Wild Mushroom & truffle strudel, Herb spaetzle with Gruyere fondue, Fois gras parfait on toasted brioche, Weiner Schnitzel with sauce gribiche, Austrian sausage with mustard.

Images: "wittgenstein illustration 2nd reading branch, 1973" Mel Brochner; "Adele Bauch-Bauerm 1907" Gustav Klimt

Thank you to David Berry Green, Berry Bros & Rudd and winemaker Michael Moosbrugger for the opportunity to taste these incredible wines from Schloss Gobelsburg. Tasted 16.02.11.

Bibendum Annual Tasting, Harpers Wine & Spirit

If you prefer your wine tastings all hushed tones, white walls and good lighting, then Bibendum's Annual Tasting was not for you.

Valentine's Day: wine for the cynical and jaded

Saying pink champagne is romantic is as delusional as saying Paris is feminine when one look at a map shows the city is a continuous paean to military conquests. The best Rose Champagne is not hearts and fluffy toys, it usually has a strong Pinot Noir constitution that can withstand many different food assaults. So if you must buy into the most commercial of days etc etc…

Fast Movers: 3 Popular Wines in London Today

Perhaps deep down I’ve always subscribed to the Oscar Wilde school of thought that Everything Popular is Wrong. So imagine my surprise when I asked my friends in wine shops to tell me what is popular. What wines are making people crazy with excitement? Having some time on my hands this month, I also witnessed the frenzy first hand. These wines’ popularity defy the prescription that wine has to be cheap, boring and of the same-same grape variety. If these styles are popular, then I am sure Oscar Wilde would approve my longing to be wrong:

2009 Burgundy & Colette: "the lovesick, the betrayed and the jealous all smell alike."

"But what is the heart, madame? It's worth less than people think. it's quite accommodating, it accepts anything. You give it whatever you have, it's not very particular. But the body... Ha! That's something else again. It has a cultivated taste, as they say, it knows what it wants. A heart doesn't choose, and one always ends up by loving." — Colette (The Pure and the Impure)

In Burgundy in 1916, the Negociant Chauvenet sponsored the author Colette to support the Negociants against the local Growers.

Changes in Rosso di Montalcino DOC race ahead

The red colour of Italian cars is not just any red. It comes from a long history of rules, mostly developed between the World Wars, from when car racing began. Different countries were assigned different colours: blue for French cars, white for German cars and, of course, British cars were racing green. Red was assigned for Italian race cars and now, the red colour of Alfa Romeo, Maserati and Ferrari is instantly recognisable as a "race red" (or Rosso Corsa).

All these rules have a history, which gain sense from the time, but most people today know what is meant by Ferrari Red. Just as with Italian car colours, and a lot of things in Italy, Italian wines have many rules. So it is worth considering what the proposed changes in the rules mean, especially when on the 15^th December, the 15 board members proposed to change Rosso di Montalcino from 100% to 85% guaranteed Sangiovese.

The One that Got Away

This wine had the place smelling like Christmas for a week.

Can I give you a tasting note from broken bottle? At around £120 - £140 per bottle, I have to at least try... I was down on my hands and knees licking the floor. Risking shards of glass in my tongue just to have a taste.

Lunch with the Marchesi de Frescobaldi at new Harrods Wine Department

Being a family with a well-recorded ancient past must not always be pleasant, but at least, like old photos or tear-stained letters, the evidence does not require many words. True, such things as archives, documentaries, and fashion can cause trouble over the years. And it definitely has for the Frescobaldi family at one time or another in its 700 year history.

Delicious Chance: Essencia at Chez Bruce

By delicious chance, just three weeks before the year finishes, I finally tasted the number one wine on my 2010 Wish List: Tokaji Essencia (1993).

Well.

Last of the True Romantics: Lacryma Christi del Vesuvio DOC

Often my friend from Rome, perhaps while we are walking down the street to the supermarket on a grey Saturday morning, will abruptly stop, hold his hand over his heart, grab my elbow to jolt me back and say with eyes wide open in shock, "Did you see THAT? That's IT! I AM IN LOVE!"

Brave New World: Italian varieties and the future of Australian wine pt2

The image of Australian wine at the moment overseas is supermarket-driven, Chardonnay-championing, industry-driven pah! You’d be forgiven to think Australia is only a vast industrial complex run by blokes in white coats performing Ludovico treatments on unsuspecting international wine writers who are held clockwork-oranged, wires holding their eyes and mouths open to drink high-alcohol wine full of splinters.

Lifting the fog: Pannell, Nebbiolo and the future of Australian wine Pt1

For a brief moment, I did an internship as a curator for the Museum of Contemporary Art in Sydney. Like most internships it was unpaid, part of the reason why I started working in wine sales. Apart from that, one of the best things I learned from my time working as an intern curator in an art gallery was learning to ask questions beyond whether I liked or I didn't like a piece of artwork.

Grey Free State: Mornington Peninsula Pinot Gris

"....(it was) a spectral grey, as if all the colour has been sucked out by the sun." - Bruce Chatwin in "Anatomy of Restlessness"

There is a concept in philosophy called the grey area which is a concept for which one is unsure which category in which to place it.

A new room in the house: 2007 Coriole Vita Reserve Sangiovese, Mc Laren Vale

Just as the smell of clean sheets on the bed can signal a new start after an old affair, the fruit of the 2007 Coriole Vita Reserve Sangiovese is very pure and fresh like a soft, plumped pillow. Although perhaps it'd be more fun if it smelled a little less clean and a little more dirtier.

Bang for the Buck?

In the past week, there's been a regime shift in Wine Australia, the representative body to the UK, with a second major resignation. Paul Schaasfma has jumped into the void, arguing, "it's not rocket science, after all" and that Australian wine should be about innovation and personality which - he believes - is reflected in the sub-£6 per bottle mark in UK supermarkets.

Contrast with Berry Brothers & Rudd

October Wine Likes in Three Words