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Let me share with you my tasting notes. Although, as the tasting progressed, they look less like notes and more like boozy heiroglyphics.
Starting out with calm, triple-distilled lowland single malts and irish blends, the day ended with some unrestrained darkness from the island of Islay.
What I wrote for the final Islay whisky, Bowmore 16 year old 1990 (53.4% alc):
"Like being violently dumped by a grey Atlantic wave face first on a rock pool covered with barnacles, waking up a few seconds later to cough out sea-water, seaweed and splinters of charred plank."
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Yes, no doubt. But, by then, the fumes had curled up into my brain. Hanging on the wall, water colour paintings of Islay distilleries by the "Fear and Loathing in Las Vegas" artist, Ralph Steadman.
When I first arrived and saw them in the tasting room, I found it hard to believe an artist inextricably linked with Hunter S. Thompson could paint a landscape so lunar quiet.
But after a day of tasting Scotch, the hushed washed-out colours now made a lot of sense... as in the bottle, the expression of the land.
Link: Ralph Steadman's trip to Scottish distilleries blog
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