Tuesday 13 January 2009

1934 Chateau Margaux


I recently tasted the 1934 Chateau Margaux at The Sampler in Islington. 

This was one of the early 20th century's great vintages and if any wine was going to make it to the 21st century, then this big, tannic First Growth Bordeaux from this great pre-war vintage would be it (the next great vintage was the Victory Vintage of 1945). 

Notes: Translucent, like pale brown-pink tissue paper, very thin and almost dried rose leaves. The tannins exhausted (which is fair - although, who knows whether there were perfect cellaring conditions?) and unfortunately, bordering on vinegary. But, where had it been for the past 74 years? 

Cellaring has to be a consideration. Had it crossed the Atlantic a couple of times - like Marlene Deitriech? When was the rest of the case drunk - during World War II, or after World War II - as a celebration? 

The great Michael Broadbent notes on this wine are telling. He notes it is "favourite '34. So very Margaux. Yet, and yet, the decay of the 1930s noted quite early, even in the mid-1950s, certainly by the early 1970s. But it soldiers on."

Perhaps the 1934 Margaux was no longer pleasurable as a table wine, but who would buy it to drink like any other wine? Certainly, as a living time capsule, it gave a glimpse of the eternal pleasures first growth Bordeaux gives and gives and gives. 


Tuesday 6 January 2009

shelves crowded with perfumes


Houses and rooms are full of perfumes, the shelves are crowded with perfumes, 
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it. 


From Songs of Myself, Walt Whitman


Link: photo by Tim Walker 

New Years Eve champagne

Still recovering.

I know - a week after New Years' Eve. 

Drank some very good champagne - and it is worthy to note, because it happens so rarely - one after another. 

Ruinart Rose NV followed by 1999 Dom Perignon, 1995 Krug with a chaser of NV Krug. 

I've never tasted Dom Perignon beside Krug. Either it's one or the other. The two champagnes don't often mix in the same circles. 

Yin and yang. 

Dom Perignon is delicate, lacy and feminine. Krug is biscuity and masculine - although still very elegant and refined.  

At least now I know why Dom Perignon is Marlene Dietreich's favourite champagne.

Let 2009 sparkle on!